It wasn’t until I dug it out this Robert Kaufman Quilter’s Linen to make Hubs a birthday gift that I realized it did not, in fact, have any linen content at all, hence the “quilter” modifier in its name. So Hubs got a somewhat stiff 100% cotton Merchant & Mills All State for his birthday. And you are getting a brief, incomplete blog entry nearly 3 months later.
I had made this pattern for him before, but I made it too small. I somehow missed the sizing information (unfamiliar UK sizing was too much for my brain to interpret) and guessed badly based on the finished measurements. Hubs wears it anyways. I considered this and the fact that he wears holes into the things I make him a compliment until I asked which of the 3 shirt patterns I’d made for him he preferred and he told me they were all pretty much the same. Well fine then.
This pattern, with its boxy guayabera feel, is my personal favorite. Not in quilter’s cotton, though, so next time I”ll make it in something lighter. Third time’s the charm, right?
I’m always learning new things when I sew. This time I learned how far ahead of the needle my serger’s knife cuts and why you don’t serge seam allowance after sewing inseam pockets.
After a long time out it turned out to be an easy fix. I removed the pocket, cut an inch off the width of the skirt, and started fresh.
It’s the same pattern as the dress I made MJ last year. I used the same button loop placket and cap sleeves, but added the i-cord and used inseam pockets because I thought I ought to mix it up a little bit.
I’ve sworn off Joann Fabrics. Again. Joann, why can’t I quit you? Oh yeah, because you are the only place anywhere close-ish that I can reliably buy notions which is something I re-remember every time I need buttons. I got super lucky, though, and hit a timely and unexpected jackpot at Urban Mining: vintage buttons!
Unbelievably I found buttons that were a perfect match in the quantities and sizes I needed. And I needed 4 smaller and 3 bigger, so let’s take a moment to acknowledge the improbability of finding these buttons in a space mostly dedicated to furniture and knick-knacks mere blocks from my house, no long, trying to trips to Joann necessary!
MJ, of course, would have been happiest with Minnie Mouse buttons. Here is the godawful dress I made at her behest also out of clearance Joann fabric that MJ spotted, adored, would not let go of, and insisted be made into a dress immediately upon arrival home. She will surely wear this dress instead. Ah, well, more power to her. The girl knows what she likes.
I am really bad at stitching in the ditch. Really bad. I have no idea how anybody successfully achieves an even, invisible stitching line that does not wander with all the fabric you cannot see caught in the back, but not too much such that your elastic casing becomes too narrow for the elastic. Or, as is often the case, both, in alternating sequence on the same waistband.
I’ve learned a thing or two about coping and even more about avoidance so when I realized I could hand-sew waistlines and bias edging with far better results in not much more time than it was taking me to fix my mistakes all the while skirting (har har) the horrible feelings of frustration and inadequacy, well, that’s how I do it, now. The slow way. The in-front-of-the-TV way. The gee-I-thought-this-would-be-super-annoying-and-should-be-avoided-and-I’m-surprised-to-find-I-rather-like-it way.
I wrote all of that because I have not much to say otherwise about this skirt. It’s the same skirt and fabric as last time, different view and different color. View B-stands-for-Boring because it doesn’t have view A’s fabulous pockets in Boring Brown. We’re getting down to Basics here, folks.
The waistband really elevates this pattern. Even as basic as it is Hubs was surprised that it was something I had made and that’s 100% because the waistband looks complicated. It’s not – it’s just a wide elastic waistband sewing over a couple times. Which is great! It never cups or rolls and I find I really prefer the wider elastic to the narrower stuff. Unfortunately when I pulled this on this morning I realized that I hadn’t cut the elastic quite short enough. It’s driving me crazy and not as flattering as if it sat at my proper waist and to fix it I’m going to have to pick out all that stitching. So much for my quick summer-into-fall basic. Wah.
I’m hippy. I didn’t think big, wide pockets or a gathered elastic waist would work on me. I was seduced by the pockets on this pattern and decided I didn’t care and if I ended up with a loafing-around-the-house skirt then so be it. I’ve mostly eschewed elastic waistbands but it’s true what my mom has been saying all these years: they are comfy. And this pattern makes them cute, too! Unlike that pair of stretchy black old lady pants she gave me that one time.
The sage green fabric purchase was inspired by a pair of pants I adore but haven’t been able to wear since 2 kids and 10 pounds ago. Maybe just 1 kid and 5 pounds, I don’t know, suffice to say I held on to those pants that were making me feel bad long enough. Clearly I’m still psychologically holding on to them even after clearing them out of my closet.
Speaking of embracing elastic waistbands as a sign of aging, I see a lot of my aunts’ features in this photo of me. I see them in me more as I grow into the age I remember them as and the faces I remember them having from when I was young. Aging is a trip.
Back to the skirt: I LOVE IT. It’s fun to wear. It’s swishy. It’s comfortable. The pockets are the envy of any and all pocket-coveting skirt-wearer. A++. Now for some cropped shirts to wear with all these high elastic-waisted skirts and pants I’ve been making. Onward!
I wrote a big ‘ol post months ago about the Ginger Jeans I made…
Side bar: I made jeans!
Side bar subheading: the Lander Pant disaster of a muslin I made doesn’t count and we’re Not Talking About It.
…but I can’t get decent photos of anything on my body, least of all light-sucking black-on-black denim. I’m really struggling to get photos. I had hoped this was a skill that would improve over time, but there’s no light when there’s time and no time when there’s light, and there are no uncluttered rooms or pretty backgrounds.
Ah, well. Here’s my messy, cluttered front porch. And my not-jeans.
Pattern: Mercury Collection by Marilla Walker, view C
Size: 3 waist graded to 4 everywhere else
Mods: I must have short legs. I chopped a lot off. I might shorten them even further to a couple inches above the ankle. Then again, I might not.
It seems fitting (ha ha, pun intended) that after making jeans I would do a 180 in just about every pants-making respect possible. Linen instead of denim, an elastic waist instead of fly, clownishly wide legs instead of slim, a style whose only fit requirement is that the elastic is snug enough to stay at your waist while being wide enough to go over your tush. They feel ridiculous to wear, but they were super easy to make and I’m pleasantly surprised to find I can wear them without them wearing me. Good enough! One office-wear garment done.
Toys are deceiving. I know from personal experience that beginning knitters misidentify toys as “small projects” that will be “quick” and underestimate the skills they require. Toys are actually really difficult projects to get right – there can be more techniques used in a seemingly simple toy than a simple sweater and when you scale down a project’s size you’re often leveling up its difficulty. I don’t say that to discourage anybody from knitting or sewing whatever they like – do it! Toys can be excellent learning tools for all the same reasons that they’re difficult! – I say it in case you don’t have me in your life to (loudly, probably) reassure you, “Toys are HARD!” if you’re embarrassed to find that, for example, the stuffed pig you made with ad-hoc fun fur wings turns out to have more of a sneer than a smile, crooked bum, asymmetrical snout, and 4 differently shaped and sized legs that collectively cannot support the creature’s weight.
Point is, it takes a little more time and practice to develop the chops to throw a toy off one’s needles that you feel proud to gift to anybody but the cat. The good news is that except in cases such as the crocheted hanging clown doll that lived in my childhood closet terrorizing me at night, the trade off to “perfection” is often “character”. And so even though I knew I didn’t have the sewing skills or attention to detail that would make these dolls keepsake-quality, when MJ picked cooed over, clung to, and generally delighted in the Goldilocks and the Three Bears samples at Craft South (well played, Craft South, well played) I thought, well, what the heck. Why not?
Uneven, imperfect, and who cares? They’re cute and good enough and MJ won’t get them until her birthday, but I hope she loves them to literal bits after years of use and abuse. Aren’t keepsakes that retain their condition the ones never enjoyed? Or is that a lie I tell myself because we don’t take good care of our things?
I’d put off the Ogden Cami because I felt sure it wouldn’t work on me. All those pretty floral Ogdens during Me-Made-Made May coincided with a sharp rise in outdoor temperatures (in the Midwest you can go from snow to 90’s in the span of a week) and suddenly the temptation to take a chance on a loose-fitting tank was too great to resist.
I dutifully worked up a muslin and was pleasantly surprised: all I would have to do is shorten the straps. I’ve had a string of successful muslin-ing and superstitiously started to believe that whether I make a muslin or not directly impacts how well a pattern fits out of the figurative PDF envelope. The “logic” goes that if I make a muslin a pattern will fit better than if I don’t. My streak ended with a muslin of the Lander shorts, but that’s a story for another time if and when I go back to that pattern. Trust me, you don’t want to see a picture of my too–small muslin in white-on-white printed quilting cotton.
Pattern: Ogden Cami by True Bias
Size: 6? I think? I made this pre-vacation. Details are only faintly remembered.
Sewists go on about what a great pattern this is for using up odds and ends. To my surprise the only suitable remnant in my stash was the blue linen from my Forsythe Dress. Every other remnant was quilting cotton or too little which left me wondering *again* why I’m keeping it. I was excited to make a wearable version of this pattern and jumped the gun: not only am I tired of this fabric 3 projects later, but it’s a bit too heavy and remember how I was inspired by the light, airy, floral versions? This in no way resembles them so I find myself disappointed even though there is no possible way an Ogden made out of teal linen could resemble one made out of liberty lawn.
The benefit to having made this weeks ago is I’ve worn it and I can report that I need to shorten the straps another smidge. I might even size down; this tank seemed OK at first try-on, but has a mind of its own when I’m actually trying to live life and I can’t abide constantly adjusting, lifting, and tugging so my bra cups don’t show. I’m not sure if this is a sizing problem or a high/small-bust fitting problem, but it’s exactly the issue I had anticipated that made me so reluctant to try this pattern in the first place. Muslins, like swatches, can lie.